Twenty-one canvas board tiles are the product of a chromatic “distillation” of the “Bella Vista” painting that artist Nicanor Blanes dedicated to painter Diogenes Hequet in 1889. The scene these colors come from is a landscape —showing a shore, water and the Montevideo hill as a backdrop—, but at the same time it is a portrait. There is a certain circularity in the possible intersection of genres posed in this small-scale painting where a photographer who is portraying a father with his son is in turn portrayed by the painter.